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The Finished Novel Course

The serious alternative to a creative writing MFA. Write a finished, publishing-ready novel with expert coaching and a Big Five editor’s read.

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1 year. 200+ lessons
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Suitable for
Serious writers
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Ideal for
Those wanting to write to get published

The complete writer-to-author journey

The Finished Novel Course is your complete journey from first idea to a manuscript ready for literary agents. Start by finding the big idea for your story and mastering the story structure to build your outline. Next, write the novel, building daily momentum with personal coaching from your mentor — a bestselling author. Then revise and edit your draft to submission standard using expert publishing industry insights and advice from your editor. Finally, your manuscript gets a full read in The Ultimate Manuscript Assessment: detailed, publishing-standard feedback from Big Five editors, with your novel prepared for submission to literary agents. Everything a serious writer needs to go from writer to author — the full writing journey in one complete program.

Every writer is nervous before they begin

Ready to invest in yourself? Start your writing journey today 

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No time?

One hour per day. That’s all the commitment we ask of you. Enough to take your story through to a finished manuscript.

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No story?

Then you’re in the right place. Step one of the course is designed to find your idea, your voice, and a story worth telling.

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Doubting your talent?

Not all writers suffer from imposter syndrome. Only the good ones. Storytelling is a craft that can be learned.

The Finished Novel Course

The full proven pathway from first idea to a finished, publishing-ready novel

The Big Idea

Find the idea with a novel in it, then build it into a working blueprint. You’ll master story structure and outline your novel using The Five Fs® — before you write a word.

Lessons: 30 (1 hour each)
1 x writer coaching sessions
Enroll Now
Module
1

The Big Idea — The Secrets of Storytelling

15
lessons
Module
2

Outlining Your Story

15
lessons

The Big Write

Build a daily writing practice and construct your novel from the ground up. Power through the middle and plot a satisfying ending. With a bestselling author coaching you the whole way.

Lessons: 100
6 x writer coaching sessions
Enroll Now
Module
1

The Inspiration and Preparation Phase

10
lessons
Module
2

The Construction Phase

30
lessons
Module
3

The Swim Phase

15
lessons
Module
4

The Heat Phase

15
lessons
Module
5

The Enlightenment Phase

15
lessons
Module
6

The Home Phase

15
lessons

The Big Edit

Revise and polish your manuscript to publishing standards, with in-depth feedback from your professional book editor, and management of the literary submission process.

Lessons: 50
2 x professional editorial sessions
Enroll Now
Module
1

Turning Pro

6
lessons
Module
2

The Developmental Edit

19
lessons
Module
3

Line Edit

17
lessons
Module
4

The Submission Process

10
lessons

The Ultimate Manuscript Assessment

Enhance your manuscript’s quality and marketability with marked-up revisions from bestselling publishing editors — and a clear plan for submission to literary agents.

This is a dedicated service
1 x professional editor debrief session
Enroll Now

The Pitch

Structural Development

A Marked-Up Manuscript

Meeting with Your Editor

Next Steps

Recommendation to Leading Literary Agents

This is a dedicated service
Enroll Now

Almost all writers seeking traditional publication need a literary agent. The major publishing houses account for almost 80 percent of book sales worldwide and acquire books almost exclusively through agents. An agent’s standing shapes which editors open your submission first: editors prioritize their inbox according to how highly they regard a particular literary agency. You want to sign with the right agent.

Our editorial team members are in conversation with leading literary agents weekly. They have strong relationships built over years working alongside agents as Big Five acquiring editors — they know what makes an exceptionally good submission, because they were on the other side of the desk receiving them. If your manuscript is a match, you’ll be invited to enter our submissions process. There is no cost for this service and we neither ask for nor accept commission. It is by invitation only. Literary agencies trust submissions from The Novelry because they’ve come to expect publishing-ready manuscripts from our graduates.

“If there’s a book that you want to read, but it hasn’t been written yet, then you must write it.”

—Toni Morrison
The coaching team

You will be coached by a bestselling novelist

Their books have hit the New York Times and Sunday Times bestseller lists and been optioned for major motion pictures.

Tara Conklin

Tara Conklin

New York Times bestselling author of The House Girl and The Last Romantics, selected by the Today Show Book Club, Barnes & Noble Book Club, Target Book Club, and as a No.1 Indie Next Pick and Amazon Best Book of the Month.

Dhonielle Clayton

Dhonielle Clayton

A publishing industry tastemaker with years of experience. Dhonielle Clayton is a New York Times bestselling author, story proliferator, and the board chair of We Need Diverse Books.

Anissa Gray

Anissa Gray

New York Times acclaimed author of contemporary fiction novels including The Care and Feeding of Ravenously Hungry Girls, a Marie Claire Book Club Pick optioned by Sony Pictures, and a DuPont and Emmy award-winning journalist.

Colleen Oakley

Colleen Oakley

USA Today bestselling author of 5 novels including The Mostly True Story of Tanner & Louise, translated into 21 languages, and Georgia Author of the Year.

L.R. Lam

L.R. Lam

Sunday Times and USA Today bestselling and award-winning author of fantasy and science fiction, notably Seven Devils and Dragonfall, a Barnes & Noble monthly pick.

Heather Webb

Heather Webb

USA Today and international bestselling author of historical fiction, Women's Fiction Writer's Association Star Award Winner, and Goldsboro RNA Finalist, notably The Next Ship Home and Last Christmas in Paris.

Urban Waite

Urban Waite

The Esquire Best Book of the Year winner, multiple award-nominated author of The Terror of Living, highly praised by Stephen King and published in over 40 countries.

Tasha Suri

Tasha Suri

Winner of the World Fantasy Award for Best Novel, author of The Jasmine Throne and Empire of Sand, one of TIME magazine’s best fantasy novels of all time.

Andrea Stewart

Andrea Stewart

Sunday Times bestselling author of multiple fantasy series including The Bone Shard Daughter, a finalist for the British Fantasy Awards, praised by Sarah J. Maas.

Evie Wyld

Evie Wyld

The prize-winning literary fiction author of All the Birds, Singing and The Echoes, winner of the Miles Franklin Award, the Stella Prize for Fiction, the John Llewellyn Rhys Prize and the Betty Trask Award.

Lesley Kara

Lesley Kara

Sunday Times Top Ten and Amazon No.1 internationally bestselling author of psychological thrillers including The Rumor.

Gina Sorell

Gina Sorell

New York Times Book Review  Editor’s Choice and acclaimed contemporary fiction author of The Wise Women, a People Magazine Best New Book Pick.

Bea Fitzgerald

Bea Fitzgerald

Sunday Times bestselling author of YA romantasy and adult thriller, including the RNA Romance Novel of the Year, Girl, Goddess, Queen.

Kate Riordan

Kate Riordan

Sunday Times bestselling author of contemporary thrillers published by Penguin, including The Heatwave, an Apple Fiction Chart No.1. fiction bestseller and Richard and Judy Book Club pick.

Heidi Perks

Heidi Perks

Sunday Times bestselling author of multiple psychological thrillers and a Nielsen Bestseller Award winner.

Amanda Reynolds

Amanda Reynolds

The number 1 bestselling author of suspense novels including Close To Me, adapted for television by Channel 4.

Libby Page

Libby Page

Sunday Times bestselling author of Up Lit novels including The Lido (USA: Mornings with Rosemary), winner of the WHSmith Thumping Good Read Award.

Katie Khan

Katie Khan

RNA Romance Novel of the Year finalist and author of Hold Back the Stars, praised by Matt Haig, translated into 20 languages and optioned for film by the producers of Stranger Things.

Kate Dylan

Kate Dylan

Sunday Times bestselling author of fantasy and science fiction novels for both YA and adult, including Mindwalker, one of Kirkus’s best YA books of the year, and Until We Shatter.

Sarah Turner

Sarah Turner

Multiple Sunday Times bestselling author of Up Lit, witty contemporary fiction, and parenting diaries.

Emylia Hall

Emylia Hall

Top Ten bestselling author of cozy crime, notably The Shell House Detectives series, and women’s fiction including The Book of Summers, a Richard and Judy Book Club pick.

Alice Kuipers

Alice Kuipers

Carnegie medal nominee and winner of the Grand Prix de Viarmes, author of YA, children’s fiction, and memoir, including Life on the Refrigerator Door, a New York Times Book for Teens.

Piers Torday

Piers Torday

Bestselling author of multiple middle-grade books for children, including the Guardian Children’s Fiction Prize winner The Dark Wild.

Katalina Watt

Katalina Watt

Royal Society of Literature Awardee, UNESCO Writer in Residence, and Hugo Award finalist with a decade of experience in the book industry.

Kate Davies

Kate Davies

The Polari Prize-winning author of In at the Deep End and Nuclear Family, one of The Times' books of the year. Kate writes contemporary fiction and children’s fiction.

Mahsuda Snaith

Mahsuda Snaith

An Observer New Face of Fiction and Costa Book Awards judge, the award-winning author of The Things We Thought We Knew, a World Book Night title, and How to Find Home, a BBC Radio 4 Book at Bedtime.

Melanie Conklin

Melanie Conklin

Award-winning author of children’s middle-grade fiction, notably Counting Thyme, winner of the International Literacy Association Teacher’s Choice Award and the Nerdy Book Award.

Ella McLeod

Ella McLeod

The Branford Boase-nominated author of YA fiction and romantasy, including Guardian Best Books Pick The Map That Led to You.

David Solomons

David Solomons

Winner of Waterstones Children’s Prize and author of acclaimed middle-grade children’s novel My Brother is a Superhero, the British Book Industry Awards Children’s Book of the Year.

Ian Green

Ian Green

Sunday Times bestselling fantasy and science fiction author, shortlisted for the Arthur C. Clarke Award.

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Children's Fiction
Children's Fiction
Thrillers
Thrillers
Screenwriting
Screenwriting
Upmarket Women’s Fiction
Upmarket Women’s Fiction
Saga
Saga
Book Club
Book Club
Police Procedurals
Police Procedurals
Historical Fantasy
Historical Fantasy
Romantasy
Romantasy
Horror
Horror
Gothic
Gothic
Contemporary & Women’s Fiction
Contemporary & Women’s Fiction
Crime & Suspense
Crime & Suspense
Fantasy & Science Fiction
Fantasy & Science Fiction
Fantasy Epics And Sagas
Fantasy Epics And Sagas
Literary Fiction
Literary Fiction
Reading Group
Reading Group
Middle-Grade Fantasy
Middle-Grade Fantasy
Up Lit
Up Lit
Magical Realism
Magical Realism
Romance
Romance
Mystery
Mystery
Historical Fiction
Historical Fiction
Memoir
Memoir
Women’s Fiction
Women’s Fiction
Science Fiction
Science Fiction
Speculative Fiction
Speculative Fiction
Suspense
Suspense
Psychological Thrillers
Psychological Thrillers
Young Adult
Young Adult
Fantasy
Fantasy
Crime Thrillers
Crime Thrillers
Cozy Crime
Cozy Crime
Children’s & Young Adult Fiction
Children’s & Young Adult Fiction
Our editorial team

A Big Five editor reads your book

Your editor has acquired and edited books for the Big Five major publishing houses—Penguin Random House, Hachette, HarperCollins, Simon & Schuster, and Macmillan.

Tash Barsby

Tash Barsby

Tash Barsby was a Commissioning Editor at Transworld Publishers and worked at Vintage Books, Macmillan, and Simon & Schuster before moving to Penguin Random House, where she worked with authors Sarah Pearse, Fiona Barton, Lesley Kara, and Tess Gerritsen.

More info
Elizabeth Kulhanek

Elizabeth Kulhanek

Elizabeth Kulhanek was an Associate Editor at Grand Central Publishing, a division of Hachette and home to bestselling and acclaimed authors such as Nicholas Sparks, James Patterson, Lisa Gardner. She has worked with bestselling authors, including David Baldacci, Scott Turow, Harlan Coben, Sandra Brown, Octavia E. Butler, and Min Jin Lee.

More info
Sadé Omeje

Sadé Omeje

Sadé Omeje was an Editor at HarperCollins 4th Estate, home to Hilary Mantel, Anthony Doerr, Jonathan Franzen, and Ann Patchett. Sadé worked with fiction and non-fiction from acclaimed authors such as Coco Mellors, Emmanuel Iduma, Joyce Carol Oates, Rodrigo García, Hannah Durkin, and Jonathan Escoffery.

More info
Navah Wolfe

Navah Wolfe

Two-time Hugo Award-winning editor and finalist for the Locus Award for best editor, Navah has worked with authors including Catherynne M. Valente, Theodora Goss, Rivers Solomon, Daveed Diggs, Amal El-Mohtar, Max Gladstone, Neal Shusterman, Benjamin Alire Sáenz, Margaret Peterson Haddix, and Katherine Rundell.

More info
Francine Toon

Francine Toon

Francine Toon was a Commissioning Editor at Sceptre, Hodder & Stoughton’s literary imprint. She has worked on the novels of Stephen King, John le Carré, Fredrik Backman, and Erin Kelly. She has published award-winning authors such as Ned Beauman, Jessica Andrews, Rowan Hisayo-Buchanan, Kopano Matlwa, and Huma Qureshi.

More info
Josie Humber

Josie Humber

Josie Humber was a Senior Commissioning Editor at Hodder & Stoughton (Hachette), home to authors including Jodi Picoult, Stephen King, David Nicholls, and Erin Kelly. Josie has worked with bestselling authors such as Kate Mosse, Kate Morton, and Joanna Trollope.

More info
Lily Cooper

Lily Cooper

Lily Cooper was a Senior Commissioning Editor at Michael Joseph and worked at HarperCollins and Hachette before moving to Penguin Random House. She has worked with bestselling authors including Jodi Picoult, Louise Penny, Will Dean, and Gillian Anderson.

More info
Sorcha Rose

Sorcha Rose

Sorcha Rose was an Editor at Hodder & Stoughton, a division of Hachette and home to authors including Stephen King, B.A. Paris, and Lucy Score. She has worked with the authors John Grisham, Peter Robinson, and Sophie Hannah, and on Erin Kelly’s Sunday Times bestseller The Skeleton Key and Will Dean’s The Last Thing to Burn.

More info
Gillian Holmes

Gillian Holmes

Gillian Holmes was an acquiring editor and copy editor at Penguin Random House where she acquired authors such as Katie Flynn. She has worked with bestselling authors Kathy Reichs, Dorothy Koomson, Tony Parsons, Rosie Goodwin, Amanda Prowse, Alan Titchmarsh, Jackie Collins, and Amy Silver (aka Paula Hawkins).

More info
Emily Kitchin

Emily Kitchin

Emily Kitchin was an Editorial Director at HQ (HarperCollins), home to authors including Adele Parks, Linwood Barclay, Sarah Morgan, Carrie Hope Fletcher, and Erica James. She has worked with bestselling authors such as Holly Bourne, Jennifer L. Armentrout, Sarah Maine, Elin Hilderbrand, Emily Giffin, and Leia Stone.

More info
Nic Caws

Nic Caws

Nic Caws was Senior Commissioning Editor at Headline, part of Hachette, and their boutique romance imprint Headline Eternal, home of bestselling authors such as Sarah Adams, Erin Sterling, and Mariana Zapata. She spent over nine years in editorial at renowned romance publisher Harlequin Mills & Boon.

More info
Craig Leyenaar

Craig Leyenaar

Craig Leyenaar was a Commissioning Editor at Titan Books, home to authors including Stephen King, V.E. Schwab, James Lovegrove, Mickey Spillane, and Paul Tremblay. Craig also worked at Gollancz, part of the Hachette group, home to authors including Brandon Sanderson, Joanne Harris, Patrick Rothfuss, Alastair Reynolds, Ursula K. Le Guin, and Ben Aaronovitch.

More info
Natasha Qureshi

Natasha Qureshi

Natasha Qureshi was Commissioning Editor at Hodderscape, Hodder & Stoughton’s SFF imprint, home of international bestsellers Frank Herbert, L.R. Lam, Isabel Ibañez, Roshani Chokshi, and Pierce Brown. She has worked with authors such as Cecy Robson, Ella Fields, Thomas Olde Heuvelt, and Micaiah Johnson (shortlisted for the 2024 Ursula K. Le Guin Prize for Fiction).

More info
Krystle Appiah

Krystle Appiah

Krystle Appiah was an Editor at Macmillan Children’s Books, home to authors including Marcus Rashford, Frank Cottrell-Boyce, Tomi Adeyemi, and Julia Donaldson. She has worked on children’s books from Sir Lenny Henry’s The Boy with Wings to Padraig Kenny’s The Shadows of Rookhaven.

More info
Simran Kaur Sandhu

Simran Kaur Sandhu

Simran Kaur Sandhu was an Editor of middle-grade and Young Adult fiction at Macmillan Children’s Books, home to authors including Hilary McKay, Meg Cabot, Judy Blume, and Eva Ibbotson. With prior experience at HarperCollins, Profile Books, and Serpent’s Tail, she worked with award-winning authors including Tomi Adeyemi.

More info
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Formerly Titan Books
Formerly Titan Books
Formerly HarperCollins
Formerly HarperCollins
Formerly Simon & Schuster
Formerly Simon & Schuster
Formerly Titan Books & Orion
Formerly Titan Books & Orion
Formerly Hachette
Formerly Hachette
Formerly Penguin Random House
Formerly Penguin Random House
Formerly Hodder & Stoughton
Formerly Hodder & Stoughton
Formerly Macmillan
Formerly Macmillan
The Novelry Team

These are the coaches who will guide you

Renowned literary agency partners

Including WME, The Book Group, United Agents, and more.

A direct line to leading literary agencies

If your manuscript is a match, you’ll be invited into our submission process — your work put directly in front of leading agents. There’s no cost, and we neither ask for nor accept commission. It’s by invitation only.

Agents take submissions from The Novelry seriously — they’ve learned to expect publishing-ready manuscripts.

literary agents book shelf

A six-figure two-book deal

U.S. rights were sold to Grand Central in a significant six-figure two-book pre-empt. Atlantic imprint Corvus acquired U.K. and Commonwealth rights to One Moment, the “heart-wrenching and uplifting” debut novel by Becky Hunter as part of a two-book deal.

“I found The Novelry at a time when I was ready to give up. I was feeling very low on confidence and knew I’d be my own worst enemy if left to my own devices. The sessions with Emylia, my writing coach, were a real highlight—she always made me feel like she genuinely cared about my novel, and I was constantly amazed at the way she engaged with the story and the creative suggestions she brought forward. The sessions kept me on track and helped me work through plot kinks along the way and I felt like I had a real champion through the whole process.”

Becky Hunter
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The complete journey

The Creative Writing MFA alternative
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The Finished Novel Course

The complete journey from first idea to manuscript
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4995
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  • Membership (1 Year)
  • The Big Idea, The Big Write, The Big Edit
  • The Ultimate Manuscript Assessment
  • 200+ Lessons
  • 6 Coaching Sessions
  • 2 Editorial Sessions
  • A Year’s Access

The Finished Novel Course

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Created by a Booker Prize-listed author

For the highest standards of fiction.

“Louise Dean is a significant voice in fiction”

The Observer

When it comes to writing fiction, Founder and Course Director Louise Dean sets the highest standards for your program.

Booker Prize-listed, winner of the Betty Trask Prize and the Le Prince Maurice Prize, finalist for the Costa Coffee 2020 Short Story Award, longlisted for the Dublin International Literary Award, and nominated for the Guardian First Book Prize (among others), Louise has earned plaudits from the Nobel Laureate for Literature, no less. Her books have been praised by The New York Times, the Guardian, the Observer, and The Sunday Times.

Louise shares her (award-winning) secrets in the courses and draws on a lifetime and love of reading fiction and the techniques of the greats.

Meet Louise

Progress at your own pace

Course and community access for an entire year.

Your progress, on your terms

This is a self-paced course; you drive the development of your story. You have immediate access to all lessons.

You can schedule your coaching and editorial sessions at your convenience and join the live classes and workshops in all time zones whenever suits you. Even better, you can watch any you missed later on our Catch Up TV.

We recommend setting aside an hour a day just for you and your writing, and you’ll soon come to love this special time in your day.

We will move at your pace. Want to race through the program? You can. Want to take it slower? No worries! Our program will support you in your preferred learning style and fit into a busy lifestyle.

The MFA alternative

Built to MFA standards. Twelve months, not three years.

An MFA-adjacent program

A Creative Writing MFA in the United States totals between 1,620 and 2,160 hours of learning across two to three years. The Finished Novel Course delivers 2,087 hours of structured learning over twelve months — placing this program in the upper portion of the MFA range.

Every mandatory MFA component is in place. A workshop and peer-review structure, with sixty live sessions a month. A supervised manuscript, developed with your assigned coach and editor. Faculty mentorship from published novelists and acquiring editors with current track records in trade publishing. Defined assessment against your finished book.

Where an MFA ends with a degree, the Finished Novel Course ends with a manuscript ready for submission — and a route to leading literary agents. Twelve months instead of three years. A fraction of the cost.

Stay a little longer

Life. It happens to the best of us.

A good story will wait

You have 365 days’ access to the course. But don’t worry if you need to stop writing for a while.

You can extend your course with our Rollover Plan for just $59 (USD) or £49 (GBP) a month and stay as long as you wish!

Money-back policy

Our Happy Writing guarantee.

Time to check it’s right for you

We maintain a happy and supportive community for all of our writers. So, we offer a 7-day money-back Happy Writing Guarantee for all our courses, should you change your mind.

Write with the best in the business

Award-winning authors. Publishing editors. Leading literary agents.

Coaches not lecturers

Many online writing programs promote “featured” videos of one or two big-name stars. And you sit, you watch, you learn. Passively.

Here at The Novelry, our online writing courses come with a team of writer all-stars built right in. They’re part of the furniture around our happy writing home. You’ll run into them in the virtual halls of The Novelry, in your personal coaching sessions, and week in, week out at workshops or in your online community.

We’re talking stars whose books have hit the New York Times and Sunday Times bestseller lists, and have been adapted for screen and optioned for major motion pictures.

Writing stars who work with you, not lecture at you.

Learn more

60+ workshops a month

In addition to your course.

Write in good company

Guided, group-based workshops with fellow writers, bestselling authors, and publishing professionals. Offered live online, but also recorded, so you can easily catch up if you miss one.

You’ll get advice and writing prompts, genre-specific challenges, and exercises to help you develop your writing and deepen your craft. And of course, you’ll have a community of like-minded spirits, cheering you on as you reach each milestone on your journey.

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Genre expertise

What’s your style?

“Outstanding genre-specific workshops!”

—April Love-Fordham

You may be burning to write a thriller, yearning to capture a romance, or scoping out the near-future world of a science fiction story.

Maybe you’re yet to discover your type. Perhaps you’re between genres right now.

Any which way, this course will help you put your story on steroids. You can choose your author coach based on their expertise, and our genre-specific workshops are in a league of their own.

Video masterclasses

From the likes of Kristin Hannah and Yann Martel.

Catch Up TV for storytellers

(Binge-watch the series.)

Over 350 classes with famous bestselling writers, publishing experts, and leading literary agents for you to explore in your own time.

Find out how your best-loved authors (really) write their books, from Tess Gerritsen, Paula Hawkins, and Val McDermid to Lucy Foley, Katherine Rundell, Samantha Shannon, Steven Erikson, and (so) many more.

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A supportive writing community

Open 24/7 worldwide. The best beta-readers.

Come for the course. Stay for the people.

We’re the largest online writing community exclusively for novelists and memoir writers. This group offers you a safe space to share the ins and outs and ups and downs of the creative life.

It’s ad-free and bound by the terms of confidentiality, allowing you to be yourself as a writer among industry professionals, trusted new friends, and like-minded people.

What’s more, our annual U.S. and U.K. parties and networking events offer the perfect opportunity to mingle and celebrate your work. Cheers to that!

Learn more

More 5-star reviews

Than any other writing course. The Novelry is the world’s top-rated fiction writing school.

We’re the home of happy writing  

When choosing your writing course, always make sure to look for these things:

  • Independent rave reviews from real people giving their names.
  • Writing coaches who are award-winning and bestselling published authors.
  • One-on-one, personalized instruction focused on what you need.
  • A professional path to getting published with links to a range of literary agencies.
  • An inspiring writers’ group with a kind and encouraging ethos.

Reviews

Better value than a university course

With a practical career outcome.

At a fraction of the price

Storytelling success lies at the very heart of becoming a published author, and we have engineered our program to give you a head start.

Our approach is both practical and a whole lot of fun. The Novelry has been described by members as “like Hogwarts for writers.”

You’ll enjoy a university-type experience in terms of making new student friends, but you’ll be learning from brilliant working authors and editors, not academics.

When you join us, you are taking a journey not to get a bunch of letters after your name, but to hold a publishing-ready manuscript in your hands. In just a year or less. We move at your pace and our focus is on you.

We’re trusted by the world’s leading literary agents, and our graduates go on to secure major contracts from Big Five publishers in the U.S.A., the U.K., and worldwide.

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Reviews from our writers

They finished their novels

Ready to get yours done?

‘Like working with a trusted friend in the business’

‘In an often confusing process of moving from initial idea through to a submission-ready manuscript, The Novelry has proved a godsend. Not only have I completed my first draft, but my editor provided insight, wisdom, and encouragement. If you are someone who is contemplating this journey, but is intimidated by the process, or doesn't know exactly where to begin, you won't be in any better hands. You start slowly, mastering the rudiments of fiction, and then pick up the pace as you become more confident in what you're doing. Well-taught units on structure, character development, and more help you answer the zillion questions that afflict the would-be author. One thing it’s not? Formulaic. Instead, The Novelry provides the framework and best practices to help you write the book you want. It’s a decision I’m very glad to have made.’

An image of reviewer, Chris Goldschmidt.

Chris Goldschmidt

‘A good fit for any writer at any stage of their journey’

‘The layered teaching approach makes The Novelry a good fit for any writer at any stage of their journey. Each layer seamlessly builds upon the last. I especially enjoyed the self-paced structure that allowed me to absorb lessons at my own rhythm.’

An image of reviewer, Cathy Serif.

Cathy Serif

‘Without a doubt, the single best thing I could’ve done for my writing career’

‘Without a doubt, the single best thing I could’ve done for my writing career. The coaching sessions were wonderful, the community is amazing. The Novelry always has the answer. I’m so grateful to them for guiding me in my publishing journey.’

An image of Suzan Joy Meredith.

Suzan Joy Meredith

‘Fantastic in all regards’

‘The Novelry combines the magic of emotion with conscious planning and structuring. Truly a wonderful experience. This course has been fantastic in all regards, well worth its cost and more. I have all the tools I need to succeed.’

An image of Ryan Simmons.

Ryan Simmons

‘Completely changed my life’

‘I have learnt so much from The Novelry and their amazing coaches and editors. The sense of community among writers completely changed my life. I’ve made real-life friends through this course and I would recommend it to anyone.’

An image of reviewer, Elise DuFour.

Elise Dufour

‘The best investment in yourself you can make as an aspiring writer’

‘The Novelry gave me the structure, theory and inspiration to keep going. It’s the best investment in yourself you can make as an aspiring writer. Writing a novel can feel long and lonely, but with The Novelry you have so many people around you.’

An image of reviewer, Harriet Keown.

Harriet Keown

‘The Novelry is, simply, stunningly good’

‘One of the most rewarding experiences of my life. I’ve been shocked at times by how tailored to me the course has felt. Thank you, Louise. I’ve been blown away by you, your team, the community and this course. The Novelry is, simply, stunningly good.’

An image of reviewer, Lisa Shoring.

Lisa Shoring

‘I think I've got a chance this time’

‘The coaching staff and editors are knowledgeable and, more importantly, considerate professionals. The courses are fresh and have truly innovative ideas and techniques to make a novel sing. I’m excited to see where this journey takes me. Thank you, everyone, at The Novelry.’

A picture of reviewer, Christine Benedict.

Christine Benedict

‘I’m having the time of my life right now!’

‘I’m 64 and have wanted to write since high school. And now, I’m finally learning how to organize these thoughts and let them clarify their meaning in my life, and on the page. Stumbling onto The Novelry a few months ago is proving to be a huge and beautiful stumble. I knew I had ideas, but I have never studied literature or writing. I knew I needed major help with structure to begin to get a handle on my story. And The Novelry’s program, clearly so thoughtfully developed, has turned out to be exactly what I needed.’

An image of reviewer, Mary Ann Hill

Mary Ann Hill

‘Thank you for all the hard work’

‘It was nice to take a somewhat theoretical approach to novel writing. I really liked that these are tools, not rules! As the author, I control the story, and it’s something I hadn’t thought about. I didn’t expect that. Thank you for all the hard work that was put into pulling all of this together. It’s not easy!’

An image of reviewer, Bryan Farmer.

Bryan Farmer

‘Life-changing and therapeutic’

‘While taking these courses, I could feel my idea begin to develop and take shape. When I signed up, I felt inspired to write but had no idea where to start and had little faith in myself. This course changed my mindset and made me feel excited to start the next phase of writing.’

An image of the reviewer, Meghan Andersson

Meghan Andersson

‘The Novelry has taken a lot of anxiety away’

‘I was worried that writing a novel would not feel manageable but The Novelry has taken a lot of that anxiety away. Finding The Novelry and doing this course has helped me find my confidence as a writer. I can’t wait to continue.’

Hannah Bissonnette

‘The first exciting stepping stone in the right direction’

‘The Novelry is the first exciting stepping stone in the right direction. I love being in a community of other writers and having support from experts and coaches. This might be just the beginning, but it’s a super positive start.’

Fiona Martin

‘What you do here is next level’

‘I always loved literature at school and uni. But what you do here is next level. A fantastic course. I wish I could have done it in a classroom seeing all of you in person. That would be a dream.’

Mila Zambrano

‘Now I can say with conviction: I am a writer’

‘Incredible. I cannot thank you enough for helping me fulfil a lifetime dream: writing a book! I don’t think I would have done it The Novelry. The coaching sessions were invaluable, every lesson beautifully timed. Now I can say with conviction: I am a writer.’

Carly Morris

‘A talented and welcoming community’

‘I was able to solve all my concerns with The Novelry. As a first-time author, it was wonderful to find a talented and welcoming community of experienced writers and editors to learn from. I loved working with them.’

Andrew Heymann

‘The Novelry provides writers the opportunity to fulfill a dream’

‘A complete and thorough package with so many incredible aspects. The Novelry provides writers the opportunity to fulfill a dream. And while they push you, they always let you know everything will be OK. I’ve learned so much about myself. It’s wonderful.’

Chris Thompson

‘I am knocked out time and again at the quality of the lessons’

‘I was a school teacher for 23 years, and I am knocked out time and again at the quality of the lessons. The Finished Novel Course has enriched my entire life. How do I sign up for a lifetime membership? 😊’

Sean Scapellato

‘An experience I’ll cherish forever’

‘My lifelong dream has been to write a book but I’ve never had the structure or organization to get me through the finish line. The Novelry made that possible. The coaching was invaluable; every session helped my forward momentum. An experience I’ll cherish forever.’

finished novel course review

Jaime Maier

‘Joining The Novelry was the best decision I made for my writing career’

‘Joining The Novelry was the best decision I made for my writing career. It’s not just an amazing writing course; it’s a community of ambitious writers, authors, mentors, editors, and all-round lovely people. I am so glad I found my home here.’

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Talitha McQueen

‘I cannot recommend them highly enough’

‘I’ve been writing with The Novelry for the last year, and the difference is astounding! I’ve loved all I’ve learned and am extremely grateful for the help. An absolute dream team. I cannot recommend them highly enough.’

Dr. Mona Tewari

‘Less than 12 months later, the possibility of my novel being published is real’

‘This time last year, finishing a manuscript was a dream. Less than 12 months later, the possibility of my novel being published is real. There are so many resources and opportunities to learn. I definitely recommend it.’

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Catherine West-McGrath

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Tilted collage of colorful book covers including titles like 'Girl, Goddess, Queen', 'The Gods Below', 'Empire of Sand', and 'Jane and Dan at the End of the World'.

They finished their novels. Ready to get yours done?

FAQs

If you’re bursting with questions we haven’t answered here, check out our full FAQs page or feel free to get in touch.

How does it compare to a Creative Writing Masters or MFA?

Master of Fine Arts (MFA) is a graduate degree that usually takes two to three years to complete. Applications for Creative Writing MFAs require a sample portfolio for entry, and prices can range from $12,000 to $48,000. Like any graduate degree, these courses vary greatly in terms of quality and resources. But one thing’s for sure: publishers aren’t looking for qualifications. They just want top-quality submissions.

Students join The Novelry to write a book that will sell. More affordable than a Creative Writing MFA, our most comprehensive course (The Finished Novel Course) is just a fraction of the cost. Most importantly, graduates leave our program holding a full manuscript, having worked with global bestselling authors and professional editors to reach publishing standard.

How does The Finished Novel Course save over $1,000 (GBP £1,000)?

The Finished Novel Course is our complete course program including a full read of your novel from professional publishing editors, carefully packaged to save you money. The price of all the items includes a discount of over $1,000 (or £1,000) when purchased separately.

The price showing at our website today includes your savings. While offer lasts.

You can spread the cost too, with monthly payments.

Plus, you can extend your access to the program and keep everything included from just $59 or £49 after your year of access ends. It’s the smartest plan for writers who mean business.

What’s the learning format?

Your year is structured in stages to create, write, and edit your book, allowing you the chance to work step-by-step through each phase and take any breaks you need between them. You will be guided through the course program step by step to raise your book to publishing standards with The Big Edit, before you submit your work for The Ultimate Manuscript Assessment and move on to the submission process (if invited).

This is a self-paced program, with over 150 lessons served on our beautiful online platform by video and text. You have immediate access to all lessons. Enjoy the lessons on any internet-connected device. Watch the video, read the text, and use the “speak aloud” feature to listen. You’ll need 30 minutes for each lesson and probably some thinking time to capture your thoughts and ideas as you start writing. This might be a good opportunity to start setting aside an hour a day just for you and your writing, and you’ll come to love this special time.

As the course is self-paced, you can take each phase at your own pace, according to your lifestyle, holidays, vacations, and commitments.

You can book your coaching or editorial sessions at any time during your year on the course.

How does the coaching work?

Your coaching begins after the first week of the writing phase of your program, when you will write and refine your draft novel alongside a currently published author in your genre of fiction.

Before your first coaching session, we’ll guide you on how to create an outline for a commercially viable novel. You’ll be nudged in the course to use our interactive tool to submit that to us (on a regular basis as you develop your story). We’ll look at your planned storyline as a team, and if we think another writing coach would be best suited to your story, we’ll drop you a line, but you’ll be able to make the final decision (and can always swap coaches later if you wish).

Every writing coach reviews your storyline in advance of the session via the interactive tool we call “The Plan.”

Your first coaching session begins with your writing coach understanding your intentions and aspirations for your book and writing career. That’s your brief to us, and it allows us to give you the dedicated and personal guidance and support you need to achieve your ambition.

The coaching sessions are 45 minutes online, and you’ll find that’s plenty of time to get help with story development and troubleshoot any problems to stay on track with your writing. All sessions are recorded for you to keep. You may schedule your coaching sessions whenever you wish during your year with us and will be able to browse our diaries to select a time that works for you, in your time zone. Some like to stay on track with a coaching session every two weeks of their writing period, for example, and others like to pace themselves with one a month, or get more help up front or more guidance and advice later on. You can get the support you need when you need it.

During the writing of a first draft, our focus is on your storyline, and we work with you to creatively develop and expand the story together, reviewing development in every session and answering your questions for your story.

You can, additionally, book Paid Feedback Sessions which include a report and a live debrief. We suggest you leave getting feedback on your work until later in your program, after the first draft.

Unlike other writing courses, we advise you don’t share or “workshop” the novel at this stage where your confidence and the story are still vulnerable. Some courses have first-time writers on first drafts advising others in their position, and we think this is a bad idea and, at best, a waste of your very precious time.

At The Novelry, we’ll keep you and your story safe within a one-on-one relationship of trust and care with wise guidance from a published author who cares about your success and will believe in you and your story.

How do I choose my writing coach?

We’ll guide you on how to choose a coach within the first lessons, before you book your first coaching session. Once you’ve scoped your story and clarified the genre you’re working in, it’s usually very clear which coach will be the best fit — all of our coaches are successfully published authors working within specific genres.

At The Novelry, you choose your coach. We’re also happy to advise once we’ve seen your storyline and understand what kind of guidance will best serve your book.

You’re free to work with different coaches as your project develops — whether to gain specialist craft input, a fresh perspective, or expertise at a particular stage. Behind the scenes, our coaching and editorial teams work closely together, keeping careful records and sharing insight, so your story is always supported as a whole. Whoever you meet with, they’ll come briefed and prepared.

You’re never locked into a single pairing. This is a professional, collaborative process designed to give your book the very best expertise at every stage.

Can I extend the course for longer than the year?

Yes! This is a flexible writing course you can take at your own pace around your other commitments. The time it takes to complete a novel depends on the time you can set aside, but with an hour a day, we know it’s possible to comfortably finish your novel in a year.

If you need more time, you can extend your course and roll over everything, including any unused coaching, editorial, or manuscript sessions.

The cost of another full year is $599 (USD) or £499 (GBP), or you can pay monthly (and cancel anytime) at $59 or £49 a month.

Can I get feedback on my writing?

The Ultimate Manuscript Assessment will give you the ultimate feedback on your novel! Plus, you will get feedback on the first three chapters in The Big Edit, and feedback from the community too.

You can also purchase Paid Feedback Sessions for $450 or £350 for a 5,000-word section of your manuscript.

The feedback sessions offer a detailed report and a live editorial debrief recorded for you to keep.

We don’t believe in feedback or workshopping a first draft. It can kill it.

But we do believe in giving feedback on second draft and beyond, where you’re working with us toward publishing standards. Once you know what you’re keeping, it’s time to finesse—and only then. So, you’ll work with publishing editors formerly of the Big Five publishing houses at that stage. We follow a carefully managed process based on our combined industry experience of how great novels get made.

We will take great care of you and your novel, with every step at just the right time for your development.

Do you offer a money-back guarantee?

Yes, we are all for Happy Writing. You can review our terms and conditions here. If, for any reason at all, the course is not for you, you can get a full no-questions-asked refund within the first seven days after purchase. Just email us and let us know.

English as a second language? Hearing or vision difficulties?

Our courses are suitable for people with visual or auditory impairment, dyslexia, and for those with English as a second language. We offer an app which translates the course into 99 languages and a speak-aloud option too.